“Just as one can compose colors, or forms, so one can compose motions.”
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Opening Friday, Hélio Oiticica: To Organize Delirium is the Brazilian artist’s first full-scale U.S. retrospective in two decades. The exhibition captures the excitement, complexity, and activist nature of Oiticica’s art, focusing on the decisive period he spent in New York in the 1970s.
Members can experience Oiticica’s immersive installations first during preview days this Wednesday and Thursday. Join today!
[Hélio Oiticica in front of a poster for Neil Simon’s play The Prisoner of Second Avenue, in Midtown Manhattan, 1972. © César and Claudio Oiticica]
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Walter Benjamin’s Moscow Diary from 1926 which explores “straying” as a mode of survival for life lived on the margins. Benjamin’s travels through the streets of Moscow reveal the complex interplay between territory and national identity. His diary documents a sense of increasing alienation from self and society and struggle to adapt to a complex socio-political moment.
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Dollar Street →
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Silver Sirens shouting about healthcare from the rooftops of the 14th Street Y!
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Burying Secrets in Green-Wood Cemetery With Sophie Calle and Creative Time →
#artworld #storytelling
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